2016 in trees

Looking back through the photographs I’ve taken in 2016, it’s striking how many trees there are! As with the small things such as wildflower ‘weeds’, it’s easy to take for granted these enormous beings which grow amongst us. The sheer scale of a mature oak or beech is far beyond our magnitude of experience, as is the timescale they can span which numbers many of our lifetimes combined.

Here are just a few of my favourite encounters from 2016.

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These snow-lined branches were in the mountains above Freiburg at the beginning of the year – we took the cablecar from the grey countryside below up into a winter wonderland of freshly fallen snow. I liked the way that the snow outlines the curved architecture of the branches.
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Part of my job involes climbing trees to inspect them for roosting bat potential. On my way up this field-edge tree, the sun came out and I couldn’t resist a quick shadow-selfie!
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This photograph was taken for the Woodland Trust – this is one of the Verdun Oaks which grew from acorns brought back from Verdun after the First World War and planted in towns and cities as a commemoration to the fallen. In the background is Lichfield Cathedral. The Woodland Trust are tracing these trees as part of the commemoration of the First World War – you can read more about these pieces of living history on their website here.
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I spotted this tree sillouetted against the sunrise on a drive across to Norfolk one morning and had to stop off to get a photograph. The tree was in the middle of a field which was not publically accessible, so I only have the shape to go off but this looks like a poplar tree to me – perhaps a black poplar?
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This is the view up to the canopy at Treswell Wood in North Nottinghamshire. This is a Notts Wildlife Trust site which has a precominantly ash canopy. Unfortunately, Ash Dieback was confirmed in one corner of the woodland and targetted trees were felled in an effort to stop the disease spreading. Ash trees are a characteristic part of the British Countryside and one of the most common species in our landscape – it would be a tragedy if they were to go the way of the English Elm.
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I love being out in the countryside at night – we spent much of the summer watching trees to survey for emerging bats so this scene feels very familiar to me. I took a walk out past this tree near Harlaxton one night when the skies were very clear to capture a starlapse with the North Star centred above the dead crown of this oak.
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This is a slightly boosted photograph in terms of colour saturation, but is otherwise untouched. This was a starlapse of a meadow oak but the quirks of lighting led to this rather psycadelic image. The tree and the hillside to the left were occasionally lit by car headlights from the road behind me, and the background cloud was illuminated by the light pollution of Nottingham in the distance. Not your typical tree image but I rather liked the effect!
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These beautiful old beech trees line a trackway which forms part of the Laurie Lee Wildlife Way in Slad. I love trackways which are overarched by tree canopies, and I especially like the idea that Laurie would have walked these tracks. The book Cider with Rosie is a favourite of mine, especially the descriptions of the Gloucestershire vally in which he grew up, so there is a real feeling of walking somewhere familiar, even when exploring this landscape for the first time.
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This is a photograph taken in Wyndham Park in Grantham. The autumn leaves of a beech provide a frame for the Hand and Apple sculpture which commemorates Isaac Newton’s connection with the town of Grantham – he went to school at King’s Grammar which is just beside Wyndham Park, and lived at Woolesthorpe Manor just down the A1 from the town, where the famous apple tree can still be seen today.
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These two majestic field trees stood like sentries on either side of the gateway. This was on a walk in Somerset which explored an ancient landscape full of both recent history – including an old lead working now rewilded as a nature reserve – and ancient history including a number of monuments, burial mounds and barrows.
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This photograph was taken on a farm track footpath which leads to Muston Meadows, an old haymeadow now designated as an NNR. I wanted to try to capture the essence of mid-December in the Midlands – to me that is muddy walks, early sunsets and skeletal trees.
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This photograph was one of several I took of bark patterns in a veteran oak we were climbing to look for potential evidence of bats. This deadwood can be very stable, remaining as a component of the tree for decades after the wood has died, and the patterns etched into the wood represent to the various conditions and experiences which the tree has gone through.
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This photograph neatly finishes where this summary started – back in the mountains above Freiburg. This was taken just before Christmas where we had the magical opportunity to rise up above the clouds and see the sun setting. The fog and cloud was rolling up the valleys, obscuring and revealing treelines, and the sunset coloured the fog in pinks and oranges.
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Walking in the footsteps of Laurie Lee

Cider with Rosie has to be one of my favourite books, with its evocation of life in a wooded Gloucestershire valley at a crucial time when the world around the village was changing but where a more ‘traditional’ country life still persisted. I have wanted to visit the landscape ever since reading it, but it is always that little bit too far or not quite convenient – however a recent site visit took me back past Stroud and so opportunity knocked to call in at Slad – the village where the book is set.

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Look carefully for tiny eyebrights in the grass – their white petals paint-splashed with yellow and purple

I parked up at Swift’s Hill – a SSSI which overlooks the valley and took a look around the grassland before setting off on a walk. The sward is clearly past its summer finery but many flowers still studded the hillside – small scabious, devil’s bit scabious, knapweeds ad eyebrights – frequented by these beautiful little Lasioglossum solitary bees with endearingly long antennae.

I then picked up the Laurie Lee Wildlife Way which takes you down the steep hillside and across open pasture field to an apple orchard where the mustard-green mistletoe nests amongst the branches.

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The view across the valley to the village of Slad with mistletoe hanging from the apple trees in silouette

Next, the path takes you down across the river and into the village itself, before heading up the other side of the valley and into the darker woodlands of Frith Wood where the trees crowd over the pathway to form a shady passageway between the trunks. After crossing the road, and walking beneath some truly majestic beeches, the track winds up a steep wooded hillside and releases you into the meadow of Snows Farm – managed for wildlife and thronged with flowers such as yellow agrimony, blue harebell and scented wild basil and marjoram.

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An old trackway with majestic beech trees lining the way

The way continues then through woodland and wildflower grassland, ending in Laurie Lee wood – a recent Gloucestershire Wildlife Trust aquisition – before ending back at the high open hillside of Swift Hill.

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The view out across the valley with Russian Vine covering the foreground

One of my favourite aspects of the walk was the totems displaying Lee’s poem’s written black on perspex so that the view was visible behind the words. This means of display was an excellent way of placing the poems within the landscape which was so important in inspiring his work.

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After reading Cider with Rosie, I read ‘As I Walked Out One Midsummer Morning’ where Laurie Lee talks about leaving this very village on foot and working in London before making his way to the continent and walking down to the south coast of Spain. The steep valleys and hillsides would be fine training for a long distance walk and I could certainly feel my flatland legs when I got to the end, but this was a magnificent way to spend an afternoon through some of the most quintissential Cotswolds scenery you could hope for. Woodruff and wood sorrel leaves covered the woodland floors, whilst the dead flowering stems promise bluebells in the springtime so I will certainly be back to explore this beautiful place again.

You can read more about the Laurie Lee WIldlife Way here. I didn’t have a copy of the route guide but found the walk quite straightforward to follow for the most part – however there are places where crossroads are not signed so it’s a good idea to pick up the leaflet or to take a map with you as backup!

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The view across pasture fields to the orchards, with the wooded hillside rising to the right hand side